Cuneiform Commentaries Project

CCP 3.6.1.A.b - Izbu (gurru maḫīru) A

Catalogue information

British Museum

BM 35553

Sp 3,59(+) 80-11-12,472

Babylon›(Babylon or Borsippa)

joins:

BM 35553 (+)? BM 38588

CDLI:

P461133

Publication

Copy:

CT 41 35-38 [BM 38588]

Editions:

Labat, 1933R. Labat, Commentaires assyro-babyloniens sur les présages. Imprimerie-Librairie de l’Université, 1933.: 80-91 no. 9

Leichty, 1970E. Leichty, The Omen Series Šumma Izbu. Augustin, 1970.: 211-229

Commentary

Divination›Teratological omens›Principal Commentary

ṣâtu 3b

Base text:

Izbu (gurru maḫīru)

Commentary no:

A

Duplicates

Tablet information

Babylonian

Fragment (large)

Columns:

2

Lines:

i 45, ii 32, iii 37, iv 42 (BM 38588)

Size:

5,59(+)9,6 × 3,96(+)7,7 cm

Neo/Late Babylonian, specifics unknown

Colophon

Marduk-bēlšunu bārû

Bibliography

Frahm, 2011E. Frahm, Babylonian and Assyrian Text Commentaries. Origins of Interpretation. Ugarit-Verlag, 2011.: 204-05, 309, 315

Gabbay, 2016U. Gabbay, The Exegetical Terminology of Akkadian Commentaries. Brill, 2016.
[On line i–ii 35]: 109

Genty, 2010aT. Genty, Les commentaires dans les textes cunéiformes assyro-babyloniens. MA thesis, 2010.
[Catalogue]: 445-446

Labat, 1933R. Labat, Commentaires assyro-babyloniens sur les présages. Imprimerie-Librairie de l’Université, 1933.
[Edition]: 80-91 no. 9

Leichty, 1970E. Leichty, The Omen Series Šumma Izbu. Augustin, 1970.
[Edition]: 211-229

Wee, 2017J. Wee, “Pan-astronomical Hermeneutics and the Arts of the Lamentation Priest”, Zeitschrift für Assyriologie, vol. 107, pp. 236-260, 2017.
[Colophon]: 257 fn. 143

By Eckart Frahm & Mary Frazer & Enrique Jiménez |

How to cite

Frahm, E. & Frazer, M. & Jiménez, E., 2013, “Commentary on Izbu (gurru maḫīru) (CCP 3.6.1.A.b),” Cuneiform Commentaries Project (E. Frahm, E. Jiménez, M. Frazer, and K. Wagensonner), 2013–2024; accessed October 10, 2024, at https://ccp.yale.edu/P461133. DOI: 10079/0cfxq1q

© Cuneiform Commentaries Project (Citation Guidelines)

Edition

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DOI: 10079/0cfxq1q

Photos by Enrique Jiménez

Courtesy of the Trustees of the British Museum