CCP 3.4.10.D.k - Bārûtu 10 Multābiltu 14-15, 8-9, and 7 D

Catalogue information
British Museum
K.2189
NinevehNineveh (Kuyunjik)
joins: 
K.2189
CDLI: 
P394248
Publication
Commentary
DivinationExtispicy (Bārûtu)

Broken

Base text: 
Bārûtu 10 Multābiltu 14-15, 8-9, and 7
Commentary no: 
D
Duplicates
Tablet information
Assyrian
Fragment (lower right hand corner)
Columns: 
2
Lines: 
iii 10
Size: 
5,71 × 3,81 × 2,22 cm
7th cent (Assurbanipal libraries and other Assyrian cities)
Bibliography

Borger, 1975R. Borger, Handbuch der Keilschriftliteratur. Band II. Supplement zu Band I. de Gruyter, 1975.
[18-19 83-1-18,458) // K 2189 (unpub., Cf Weidner AfO 24 142).]
: 100

Frahm, 2011E. Frahm, Babylonian and Assyrian Text Commentaries. Origins of Interpretation. Ugarit-Verlag, 2011.: 189

Genty, 2010aT. Genty, Les commentaires dans les textes cunéiformes assyro-babyloniens. MA thesis, 2010.
[Catalogue]
: 476

Glassner, 2010J. - J. Glassner, Multābiltu Commentaire 4, N.A.B.U. Nouvelles Assyriologiques Brèves et Utilitaires, vol. 2010/84, 2010.
[Edition of the pertinent manuscripts.]

Heeßel, 2008N. P. Heeßel, Neue Texte zum Kapitel Šumma multābiltu der Opferschau-Serie bārûtu, Revue d'Assyriologie, vol. 102, pp. 119-148, 2008.
[On line iii 1': ú-šal-pi-tú-šú]
: 138 ad r 3'

Weidner, 1973E. F. Weidner, Review of Handcock CT 30, Archiv für Orientforschung, vol. 24, pp. 142-143, 1973.
[Tf. 19. Ein Duplikat zu 83-1 -18, 458, Rs. I, 8-17 ist K 2189 (unveröff.). Danach ist in Z. 9 gegen MAOG 4, S. 237 [ša NIM].MAki ú-šal-pi-tu «[den El]am zugrunde richtete» zu lesen.]
: 142b

By Eckart Frahm & Mary Frazer & Enrique Jiménez | Make a correction or suggestion
How to cite
Frahm, E. & Frazer, M. & Jiménez, E., 2013, “Commentary on Bārûtu 10 Multābiltu 14-15, 8-9, and 7 (CCP 3.4.10.D.k),” Cuneiform Commentaries Project (E. Frahm, E. Jiménez, M. Frazer, and K. Wagensonner), 2013–2024; accessed April 19, 2024, at https://ccp.yale.edu/P394248. DOI: 10079/xpnvxcj
© Cuneiform Commentaries Project (Citation Guidelines)
Edition
© Trustees of the British Museum

Courtesy of the Trustees of the British Museum