CCP 7.2.u160 - Uncertain

Catalogue information
British Museum
BM 47948
81-11-3,656
BabylonBabylon (Rassam)
CDLI: 
P470039
Commentary
MiscellaneaUnknown
Base text: 
Uncertain
Tablet information
Babylonian
Neo/Late Babylonian, specifics unknown
Record
Jiménez, 08/2016 (Transliteration)
Jiménez, 08/2016 (Translation)
Jiménez, 08/2016 (Introduction)
By Enrique Jiménez | Make a correction or suggestion
How to cite
Jiménez, E., 2016, “Commentary on Uncertain (CCP 7.2.u160),” Cuneiform Commentaries Project (E. Frahm, E. Jiménez, M. Frazer, and K. Wagensonner), 2013–2024; accessed April 17, 2024, at https://ccp.yale.edu/P470039. DOI: 10079/dr7sr79
© Cuneiform Commentaries Project (Citation Guidelines)
Introduction

The only remarkable feature of this otherwise nondescript commentary fragment is the fact that it appears to mention a “cuneiform wedge” in l. o 7′. The fragment, which probably stems from Babylon, shares its consignment number (81-11-3) with around 40 other tablets and fragments (see a list here). As several other tablets from that list, the present fragment could well be part of a commentary on the lexical list Aa.

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BM 047948 (unpublished unassigned ?) [Commentary (Miscellanea)]

Obverse
o 1'o 1'

[...] x [...]

...

o 2'2'

[...]-MEŠ ni-[...]

...

o 3'3'

[...] šá-mu-ú [...]

[...] (means) “heaven” [...]

o 4'4'

[... e]--lu : ra-ka-su [...]

[... “to sn]are” means “to ti[e” ...]

o 5'5'

[...]-x-ú : qa-tu₄ : [...]

[...] ... means “hand”; [means ...]

o 6'6'

[...] ze-ʾ-e-ru : šá-niš za-x-[...]

[... means] “to hate”; alternatively, ... [...]

o 7'7'

[...] sa-an-tak-ku šal-lu-x [...]

[...] “cuneiform wedge” ... [...]

o 8'8'

[...] meš-re-e šá .GI [...]

[...] wealth, said of go[ld ...]

o 9'9'

[...] x-ga? [x x] ra-šal?-[...]

[...] ... [...] ... [...]

o 10'10'

[...] x šu-ru-[...]

[...] ... [...]

o 11'11'

[... KI].ŠU.PEŠ₅ [...]

[... sa]nctuar[ies ...]

Reverse
r 1'r 1'

[...] kap-pi? [...]

[...] wing [...]

r 2'2'

[...] gu-ur-x [...]

[...] ... [...]

r 3'3'

[...] x [...]

[...] ... [...]

Photos by Enrique Jiménez

Courtesy of the Trustees of the British Museum