CCP 7.1.4.A.a - Collection of Taboos A

Catalogue information
British Museum
BM 35401
Sp.2,984+ 82-7-4,58+ 83-1-21,2031+ 83-1-21,2047
Babylon(Babylon)
joins: 
BM 35401+ BM 55485+ BM 99669+ BM 99685
CDLI: 
P461132
Commentary
MiscellaneaVaria
Base text: 
Collection of Taboos
Commentary no: 
A
Duplicates
Tablet information
Babylonian
Columns: 
1
Lines: 
obv 26, rev 30
Size: 
12,4 × 11 × 2,7 cm
Neo/Late Babylonian, specifics unknown
Bibliography

Civil, 1974bM. Civil, Enlil and Namzitarra, Archiv für Orientforschung, vol. 25, pp. 65-71, 1974.: 66-67

Frahm, 2011E. Frahm, Babylonian and Assyrian Text Commentaries. Origins of Interpretation. Ugarit-Verlag, 2011.: 259, 311

Lambert, 2013W. G. Lambert, Babylonian Creation Myths. Eisenbrauns, 2013.
[“A further evidence of a struggle with a Nippurian focus occurs in the Nippurian Taboos 3, quoted from the present writer in AfO 25 (1974/77) 67: ‘The cat is the taboo of Enmešarra, because Enlil (or Ninurta) went (?), besieged him in the ... of Šuruppak and laid him to rest in the gigunû (sa-a-ri níg-gig den-me-šár-ra mu d50 du ina tal-liki LAM×KUR.RUki ká-šú gil(= i-le-mu-ʾ-i, comm.)-ma ina gi-gu-né-e uš-ni-lu-šu).”]
: 286

By Eckart Frahm & Mary Frazer & Enrique Jiménez | Make a correction or suggestion
How to cite
Frahm, E. & Frazer, M. & Jiménez, E., 2013, “Commentary on Collection of Taboos (CCP 7.1.4.A.a),” Cuneiform Commentaries Project (E. Frahm, E. Jiménez, M. Frazer, and K. Wagensonner), 2013–2024; accessed November 21, 2024, at https://ccp.yale.edu/P461132. DOI: 10079/m905qtt
© Cuneiform Commentaries Project (Citation Guidelines)
Edition

CompositeDisplay composite edition (click on line number to display partial score editions) | ScoreDisplay score edition (without translation) | ManuscriptDisplay single manuscript edition (without translation)

Powered by Oracc
(Base textCommentaryQuotations from other texts)

ccpo

Oracc: THE OPEN RICHLY ANNOTATED CUNEIFORM CORPUS

This project does not have the requested item (is there a typo in the item number?).

You can go back to the previous page by clicking here or using the BACK button on your browser.

Photos by Enrique Jiménez

Courtesy of the Trustees of the British Museum