CCP 3.4.5.C.a - Bārûtu 5 Pān tākalti C

Catalogue information
British Museum
K.4063
NinevehNineveh (Kuyunjik)
CDLI: 
P395380
Publication
Copy: 
BLO pl. xxxi no. 80
Editions: 
Commentary
DivinationExtispicy (Bārûtu)

mukallimtu 6

Base text: 
Bārûtu 5 Pān tākalti
Commentary no: 
C
Duplicates
Tablet information
Assyrian
Fragment
Columns: 
2
Lines: 
ii 10, iii 15, iv 13
Size: 
10,79 × 5,08 × 2,54 cm
7th cent (Assurbanipal libraries and other Assyrian cities)
Colophon
Asb Typ a
Bibliography

Frahm, 2011E. Frahm, Babylonian and Assyrian Text Commentaries. Origins of Interpretation. Ugarit-Verlag, 2011.: 46, 179

Gabbay, 2016U. Gabbay, The Exegetical Terminology of Akkadian Commentaries. Brill, 2016.: 74 (27), 201 (23)

George, 2003A. R. George, The Babylonian Gilgamesh Epic. Introduction, Critical Edition and Cuneiform Texts. Oxford University Press, 2003.
[On line iv 6'-7': Gilgameš omen, association]
: 115

Goetze, 1947A. Goetze, Historical Allusions in Old Babylonian Omen Texts, Journal of Cuneiform Studies, vol. 1, pp. 253-265, 1947.
[On line iv 6'-7': Gilgameš omen]
: 254

Lambert, 1960aW. G. Lambert, Gilgamesh in religious, historical and omen texts and the historicity of Gilgamesh, in Gilgamesh et sa légende. Études recueillies par Paul Garelli à l'occasion de la VIIe Rencontre Assyriologique Internationale (Paris, 1958), P. Garelli, Ed. Imprimerie Nationale, 1960, pp. 39-56.
[On line iv 6'-7': Gilgameš omen]
: 45-46

Starr, 1977I. Starr, Notes on Some Published and Unpublished Historical Omens, Journal of Cuneiform Studies, vol. 29, pp. 157-166, 1977.
[On line iv 6'-7': Gilgameš omen, association of ideas]
: 157-158

By Eckart Frahm & Mary Frazer & Enrique Jiménez | Make a correction or suggestion
How to cite
Frahm, E. & Frazer, M. & Jiménez, E., 2013, “Commentary on Bārûtu 5 Pān tākalti (CCP 3.4.5.C.a),” Cuneiform Commentaries Project (E. Frahm, E. Jiménez, M. Frazer, and K. Wagensonner), 2013–2024; accessed May 18, 2024, at https://ccp.yale.edu/P395380. DOI: 10079/f4qrfx3
© Cuneiform Commentaries Project (Citation Guidelines)
Edition
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Courtesy of the Trustees of the British Museum