CCP 3.1.52.C.a - Enūma Anu Enlil 52 or 53 C

Catalogue information
British Museum
K.5277
Nineveh›Nineveh (Kuyunjik)
CDLI: 
P395970
Publication
Copy: 
ACh Suppl 51 [obv]
Commentary
Divination›Astrological. Enūma Anu Enlil

Broken

Base text: 
Enūma Anu Enlil 52 or 53
Commentary no: 
C
Duplicates
P238277
Tablet information
Assyrian
Fragment, upper right part
Columns: 
1 (or >)
Lines: 
obv. 11, rev. 4
Size: 
5,08 × 3,49 × 1,9 cm
Late 8th / Early 7th cent (mostly Kalḫu, Nabû-zuqup-kēnu)
Colophon
Nabû-zuqup-kēnu s. Marduk-šuma-iqīš d. Gabbi-ilāni-ēreš
709
Bibliography

Frahm, 2011E. Frahm, Babylonian and Assyrian Text Commentaries. Origins of Interpretation. Ugarit-Verlag, 2011.
[Dated 709, second oldest dated commentary]: 149, 266, 412

May, 2018N. M. May, “The Scholar and Politics: Nabû-zuqup-kēnu, his Colophons and the Ideology of Sargon II”, in Proceedings of the International Conference Dedicated to the Centenary of Igor Mikhailovich Diakonoff (1915–1999), The State Hermitage Publishers, 2018, pp. 110-164.
[Nabû-zuqup-kēnu, colophon]: 121, 141-142

Millard, 1994A. R. Millard, The Eponyms of the Assyrian Empire 910-612 BC. The Neo-Assyrian Text Corpus Project, 1994.
[Datation]: 99

Reiner, 1998aE. Reiner, “Celestial Omen Tablets and Fragments in the British Museum”, in tikip santakki mala bašmu.. Festschrift für Rykle Borger zu seinem 65. Geburtstag am 24. Mai 1994, S. M. Maul, Ed. Styx, 1998, pp. 215-302.
[EAE 53 comm.]: 233

Weidner, 1925E. F. Weidner, “Ein astrologischer Kommentar aus Uruk”, Studia Orientalia, vol. 1, pp. 347-358, 1925.
[53rd tablet]: 358

By Eckart Frahm & Mary Frazer & Enrique Jiménez | Make a correction or suggestion
How to cite
Frahm, E. & Frazer, M. & Jiménez, E., 2013, “Commentary on Enūma Anu Enlil 52 or 53 (CCP 3.1.52.C.a),” Cuneiform Commentaries Project (E. Frahm, E. Jiménez, M. Frazer, and K. Wagensonner), 2013–2024; accessed April 26, 2024, at https://ccp.yale.edu/P395970. DOI: 10079/tx95xk7
© Cuneiform Commentaries Project (Citation Guidelines)
Edition
© Trustees of the British Museum

Courtesy of the Trustees of the British Museum